In 1954 Voulkos became chairman of the new ceramics department at Otis Art Institute in Los Angeles. His pottery shop soon became the mecca for artists in the area, launching the Los Angeles clay movement, with Voulkos as its leader. Despite the accolades for his work, Voulkos began to feel constrained by the traditional forms of pottery. His Black Mountain connections led to his meeting Franz Kline and other abstract expressionist artists in New York. Absorbing their ideas, he sought to use clay as an expressive, sculptural medium and began to execute many works on a monumental scale.

In 1959 Voulkos became professor of design and sculpture at the University of California at Berkeley.

Courtesy Smithsonian American Art Museum