Eva LeWitt’s sculptures and installations are fabricated as much from space, light, and architecture as they are from the multitude of hand-altered commercial materials she employs. Mesh, silicone, sponges, and other quotidian store-bought elements are carefully dyed, cast, or stained, and are subsequently imbued with a softness and imperfection that was not present in their original mass-produced state. The monumental scale of her installations contrasts with the simplicity of form in each individual element. This is one of many paradigms in which LeWitt’s work straddles oppositions: vibrant yet reticent, pliable yet sharp, formally sophisticated yet charmingly imprecise. Her work employs minimalism and geometry in a streamlined language of abstraction, which is nevertheless suffused with joy, warmth, and alluring animation.