In 1962 she participated in the landmark exhibition Sculture nella Cittá, at the Festival dei Due Mondi in Spoleto. The artist creates various medium and large-sized works within the Italsider workshops in Piombino, an experience that confirms her definitive transition to the art of forging and shaping metal.

Between 1967 and 1969 she experimented the connective-art and environmental projects using grass, sand and hay.

Between 1971 and 1975 she made her first environmental project in Dallas, Dallas Land Canal and Hillside. In 1971 Pepper was hosted by the city of Rome to exhibit a dozen stainless steel sculptures in Piazza Margana. In 1972 she attended the 34th Venice Biennale and moved to Todi, where she built her atelier-factory in her residence.

Between 1974 and 1976 she made one of her first works of Land Art, Amphisculpture, in New Jersey and in 1977 she exhibited at the Documenta 6 of Kassel.

In 1998 she realizes the installation at Forte Belvedere in Florence, Italy.Among the environmental works: Todi Columns installed in Piazza del Popolo in Todi, Spazio Teatro Celle in Pistoia, Narni Columns in Narni, Palingenesis in Zurich, Sol y Ombra Park in Barcelona, Manhattan Sentinels in New York, Departure for My Grandmother in Vilnius, Lithuania and Broken Circle at the Brufa Sculpture Park in Umbria.

In 2014 Beverly Pepper exhibited her “Curvae” series at the Ara Pacis Museum in Rome, managing to combine the past with the present. Among the latest works by Land Art we find Amphisculpture, a 3000 square meter open-air theater, the largest in central-southern Italy, created and donated by the artist to the city of L’Aquila and the Beverly Pepper Park in Todi, the first monothematic park of contemporary sculpture in Umbria and the artist first’s in the world.

Pepper passed away on February 5, 2020 in Todi, Italy.

Courtesy of Beverly Pepper